Monday, October 5, 2020

British Society of Master Glass Painters Online Lecture and Webinar

 














Autumn Lecture 2020

Stained Glass at an Intersection – Church, Gallery & Museum

Speaker: Matthew Reeves

An expert in lost medieval stained glass from France, Matthew Reeves is a curator who now works at the Sam Fogg gallery in London. His lecture will explore the relationships between the Church, commercial art galleries and museums. Matthew has been working with museums to help raise the profile of stained glass, something we are all keen to achieve.
Do join us on Zoom for a visually rich evening as Matthew shares his expertise and love of Medieval and Renaissance stained glass. Places are limited so book now!

Speaker: Matthew Reeves
October 9, 7:00 pm


Location: Online via ZOOM!
Time: 7:00
Cost: £4.25 members, £5 non-members
Announcing NEW Webinar Series!

The Magic Lantern:
In the first in a series of webinar presentations, the Society is pleased to announce that the chairman of our Conservation Working Group Steve Clare will speak about the fascinating painted glass of the 18th century, and the transitional period into the early 19th century. The speaker has unrivalled experience in the conservation of glass of this period; the techniques and methods of important figures such as Peckitt, Pearson, and Eginton will be discussed in detail, with superb images taken during live conservation projects. 

Speaker: Steve Clare,
Director, Holy Well Glass
27th November 9, 7:00


Location: Online via ZOOM!
Time: 7:00
Cost: £4.25 members, £5 non-members

Tuesday, June 21, 2016

Virginia Raguin

Website on Stained Glass 1840-1950
The subject is the history of monumental stained glass in the United States, especially its patronage; the civic and religious institutions that saw leaded and painted windows as essential to their purpose. It is hoped that this overview will be useful to individuals interested in American history, religion, ethnic communities, architecture, social change, and preservation, as well as art. Images by the author or Michel M. Raguin may be downloaded for not-for-profit purposes. The author welcomes additional information and images to be appropriately credited and uploaded.

http://college.holycross.edu/RaguinStainedGlassInAmerica/Home/index.html

Wednesday, March 2, 2016

Inside the Bloody Beehive with Artist Judith Schaechter



A great interview with Judith Schaechter. The question is which is the greater beauty Judith's artwork or her mind.

Sunday, February 28, 2016

Summer 2016 Workshops at Bryn Athyn College

Click image to open the print catalogue

Workshops at Bryn Athyn Summer 2016

There is a great lineup of glass classes this summer at Bryn Athyn College featuring instructors who are also AGG members. Each full-day class meets Monday – Friday beginning at 9AM for a total of over 32 hours of hands-on classroom instruction with additional evening studio time. 

Great Hall of Glencairn Museum
Participants are treated to behind-the–scenes tours of Glencairn Museum and Bryn Athyn Cathedral. Each workshop costs $675 and includes materials and access to tools. College credit, onsite lodging, and meals are available for an additional fee. Workshop titles and links are listed below. Full details including other workshops in the related Building Arts: Blacksmithing, Stone Carving, and Mosaic can be found online at: www.workshopsatbrynathyn.com









FOR ADDITIONAL DETAILS CONTACT: kenneth.leap@brynathyn.edu


Sunday, January 24, 2016

Artwork development

In stained glass we often see he same stale images repeated again and again. I stumbled upon this "behind the scenes" story of the making of several images to promote the National Geographic film "Killing Jesus". The process is fascinating and fresh.



Wednesday, December 30, 2015

"Technique Is Cheap"

I just used this phrase today in responding to a post on the AGG bulletin board about lamination. I know it has been widely quoted but couldn't remember who said it. [Answer: Harvey Littleton] This is the context in which I find this quote compelling:
"The method used by the contemporary artist is a constant probing and questioning of the standards of the past and the definitions of the present to find an opening for new form statements in the material and process. It is even said that this search is an end in itself. Although knowledge of chemistry or physics as they apply to glass will broaden the artist’s possibilities, it cannot create them. Tools can be made, furnaces and annealing ovens can be built cheaply. But it is through the insatiable, adventurous urge of the artist to discover the essence of glass that his own means of expression will emerge."
Read the whole article here: http://www.liquisearch.com/harvey_littleton/technique_is_cheap

Monday, December 7, 2015

Nancy Nicholson in group exhibition

“Space, Structure and Light” - ARTIST TALK
Please Join us for an informal Artist Talk.
Sunday December 13, 2015  2pm-4pm
Meet several of the artists currently on exhibit
at the Silvermine Arts Center Gallery
.
1037 Silvermine Road, New Canaan, CT 06840
www.silvermineart.org


“Space, Structure, and Light”, is a contemporary glass exhibition,
curated by Moshe Bursuker, Susan Cox, and Marty Kremer,
and includes work by more than a dozen regionally and nationally known glass artists.
The Show will be up from November 8 to December 20, 2015

Monday, October 12, 2015

Glass is More

Glass is More - Is a brand new, worldwide, unique and informative e-magazine and Newsletter on glass art and the art of glass. Glass is more! brings you daily refreshed information with texts, photos and movies on art, craft, design and architecture; books and catalogues; conferences, symposiums, seminars and festivals; expositions and world wide exposition agenda, fairs and lectures; opinions in essays, Cutting Edge; writes on techniques, historical items, science, literature, theater and sound, performances and installations; reports on schools, education and students; provides the latest awards, competitions and entries; shows the subscribers’ profiles as well the profiles on the members of the editorial group and the ambassadors feeding the editors and authors. Join us and build on to this network!
GO THERE

Tuesday, September 15, 2015

National Trust for Historic Preservation - Conference Announcement

http://pastforwardconference.org/

PastForward is the premier educational and networking event for those in the business of saving places. This year, at PastForward 2015, we’ll begin a year-long celebration of the National Historic Preservation Act’s 50th anniversary with programming that celebrates and honors the past while looking decisively forward toward our next 50 years. In the nation’s capital we will convene the full, diverse and expansive constituency of preservation players from individuals to elected officials, federal agencies to architects, scholars to activists.

LaFarge Stained Glass in New England: A Digital Guide




This project was developed in partnership with Boston College University Libraries to complement an exhibition at the McMullen Museum of Art at Boston College. 

Monday, August 31, 2015

Joseph Cavalieri Solo Exhibition at OUT Hotel in NY

Joseph Cavalieri exhibition at the OUT Hotel in New York* 
Opening Tuesday, Sept 1st

Press in the Wall Street International on this exhibition:

……………………………………
CALL FOR ARTISTS:
Advice on entering exhibitions, and a call for artists:

……………………………………
UPCOMING CLASSES:
In Washington DC area, Portland (Oregon), Dublin:

Tuesday, August 18, 2015

Stained Glass with Joseph Cavalieri

Madonna & Prada by Joseph Cavalier
Joseph Cavalieri will be teaching a class at the Washington Glass School in Washington DC,
(well to be specific it is in Mt Rainier, MD) from September 5-7.

The class covers modern painting on glass techniques including atomizing, silk-screening,
and painting using a crow quill pen, which is very much like lettering.

Three days for $500. Please look at this link for more details and how to register.
http://washingtonglassschool.com/school/current-classes#a2004

Joseph Cavalieri
216 East 7th Street, apt no.10
e-mail: cavaglass@gmail.com
web: cavaglass.com

2015 Documentary - Nano Revolution











The stained glass tech appears at 35:45 in this video on nano technology:

Wednesday, August 12, 2015

Glass Painting Workshop

Glass Painting for the Artist

5-Day Intensive - Apr 18-22, 2016

Cost: $875.00
Willet Hauser Architectural Glass
1685 Wilkie Drive
Winona, MN 55987
www.willethauser.com
info@willethauser.com 
t: (800) 533-3960 ext 742

Instructors: Kathy Jordan and Melissa Janda share forty years of combined glass painting experience with their students. A unique opportunity with an emphasis on Core Foundational Skills and Production Painting for the studio and independent artist. The curriculum will include: 

  • traditional glass painting techniques
  • painting with economy & efficiency in a studio environment
  • preparing cartoons for painting process
  • china painting techniques
  • silver stain and enamels
Daily demonstrations and tours are planned throughout the week. 

Both the American Glass Guild and the Stained Glass Association of America offer educational scholarships for the study of stained glass painting and have generously supported Kathy Jordan’s workshops in the past. 
More info: http://www.willethauser.com/glass-painting-intensive

Sunday, July 5, 2015

Stained Glass Sundials

Looking for some web surfing during the sunny summer months, my pick is to explore stained glass sundials from ancient to modern times on this website: http://www.advanceassociates.com/Sundials/Stained_Glass/
The "Image archive" documents historic examples and there is also a link to design and construction when you're ready to build one for yourself.


Monday, June 29, 2015

Workshop with J. Kenneth Leap


1 SPACE LEFT

July 20 - 24 @ Bryn Athyn College

Explore the art of mixing, applying, and firing glass-based paints, enamels, and stains. While the primary focus of the class is painting on the two-dimensional surface as it relates to stained glass, participants also learn fusing techniques that can be adapted to glass tile-making, jewelry, and mosaic projects. A variety of traditional and experimental techniques will be covered. Participants complete a stained glass panel, which is assembled using lead came, the original material used to construct stained glass windows. Prior glass experience is not required. Returning students may use the studio time to create a more advanced project of their choice.

Classes meet 9-5. On site housing available. Includes special tours of Glencairn Museum's collection of medieval glass and the glass cache at Bryn Athyn Cathedral.

INFO: http://www.brynathyn.edu/academics/workshops/
REGISTER:https://www.eventbrite.com/e/stained-glass-with-j-kenneth-leap-tickets-15472812599