Showing posts with label exhibitions. Show all posts
Showing posts with label exhibitions. Show all posts

Monday, December 7, 2015

Nancy Nicholson in group exhibition

“Space, Structure and Light” - ARTIST TALK
Please Join us for an informal Artist Talk.
Sunday December 13, 2015  2pm-4pm
Meet several of the artists currently on exhibit
at the Silvermine Arts Center Gallery
.
1037 Silvermine Road, New Canaan, CT 06840
www.silvermineart.org


“Space, Structure, and Light”, is a contemporary glass exhibition,
curated by Moshe Bursuker, Susan Cox, and Marty Kremer,
and includes work by more than a dozen regionally and nationally known glass artists.
The Show will be up from November 8 to December 20, 2015

Tuesday, September 15, 2015

LaFarge Stained Glass in New England: A Digital Guide




This project was developed in partnership with Boston College University Libraries to complement an exhibition at the McMullen Museum of Art at Boston College. 

Monday, August 31, 2015

Joseph Cavalieri Solo Exhibition at OUT Hotel in NY

Joseph Cavalieri exhibition at the OUT Hotel in New York* 
Opening Tuesday, Sept 1st

Press in the Wall Street International on this exhibition:

……………………………………
CALL FOR ARTISTS:
Advice on entering exhibitions, and a call for artists:

……………………………………
UPCOMING CLASSES:
In Washington DC area, Portland (Oregon), Dublin:

Tuesday, January 29, 2013

Exquisite Corpse: Stu Schechter

2004
Stu Schechter collaboration with Ralph Helmick
dimenensions: 8' h 5.5' w 26' d
materials: steel, aluminum, stained glass 
site: Minnesota Bureau of Criminal Apprehension
commissioned by: Minnesota Percent for Art Program

Issues of analysis, synthesis and mortality are central to this artwork created for the new state forensics laboratory of Minnesota. Exquisite Corpse is comprised of nineteen giant aluminum “magnifying glasses”, each housing two distinct layers of imagery.

The first are colorful stained-glass panels depicting twice-life-size cross-sections of human anatomy. Collectively, they indicate the form of a dissected, recumbent, elongated male figure. (Helmick and Schechter excerpted these interior bodily views from the National Library of Medicine’s Visible Human Project, an exceptionally detailed medical database.)

The mechanisms that suspend the stained-glass sections also function as a second layer of imagery. Welded metal filigrees hold the glass panels in place, each steel “drawing” referring to a different analytical technique employed at the lab. Allusions to specific disciplines include molecular diagrams of heroin and ethanol, representations of bullet holes and blunt objects, and raw data from dental records and gas chromatography. 

The familiar DNA double helix appears twice, at the head and foot of the figure, framing the entire artwork as an acknowledgment of the centrality of genetics to contemporary forensic investigation.

Seen as a whole, the scientific specialties embedded in Exquisite Corpse merge into a dense web of interconnected information, creating a metaphor for how various departments at the BCA often unite to forge a nuanced understanding of complex crimes.

Stained glass is an art form historically associated with spiritual settings and concerns. Exquisite Corpse employs the power of the medium in a setting where reverence for the human body coexists with analysis of our most basic corporeality.


Wednesday, December 12, 2012

Stained Glass Windows by Neal Fox

Installation at Galerie Michael Schultz in Berlin
Johnny Cash
Hunter J Thompson & Billy Holiday
Installation at Daniel Blau gallery in Hoxton Square


The Brit artist takes his stained-glass portraits of Hunter S Thompson and William Burroughs to Berlin

When they were exhibited at Daniel Blau gallery in Hoxton Square last year, Neal Fox’s stained-glass portraits stunned – both on account of their seamless execution and outspoken take on fame-culture. Constructed using traditional glassware methods, each tells a graphic tale of celebrity, depravity and excess through colour-block panels punctuated by quotations from some of the twentieth century’s most polemic literary figures, including Thompson and Burroughs.
“The windows are alternative saints, iconoclasts, geniuses and lunatics.” Fox explains. “They are all people who have been in my drawings, who my granddad’s ghost has met on a crazy phantasmagoric bender through time, space and pop culture. They are quite a diverse group, from Albert Hoffman who discovered LSD, to Billy Holliday and Aleister Crowley.”
The figures appear consecrated, fixed and permanently secured as pseudo-religious icons and in their stasis, stand entirely opposed to those depicted in the artist’s latest work, ‘Wild Frontier of the Mind’.
 
The windows are alternative saints, iconoclasts, geniuses and lunatics.” Fox explains. “They are all people who have been in my drawings, who my granddad’s ghost has met on a crazy phantasmagoric bender through time, space and pop culture
The vast seascape sees the artist make a return to illustration proper, to those slightly distorted, gargoyle-y, tri-tone line-drawings that first won him fame. All the Fox regulars are there of course, in addition to many new faces, and set adrift on an ocean of sexual expoits, chemical warfare and alien invasion that sees Freud, Jung and Captain Haddock battle the Monster of the Id; Charlie Sheen escape the prison of the Super Ego and Picasso and Francis Bacon attacked by nightmarish semiotic phantoms.
“I watched a film called Magic Trip about Ken Kesey and the Merry Pranksters being pioneers on the frontier of the mind. I was also reading J G Ballard who had spoken about going on a mind safari. I’d been getting into old comics by a guy called Basil Wolverton, who drew really cool science fiction stories like ‘Brain Bats from Venus’. It all went into creating this work that seems pretty insane but certainly made sense at the time, ” Fox explains.


Saturday, December 1, 2012

AGG member: Troy Moody


Troy Moody.jpg
www.practical-art.com
Troy Moody has been creating original glass artwork around the Valley since the late 90s.
His unique glass art can be found in a variety of places, including custom stained glass in historic homes in central Phoenix and luxury homes in Paradise Valley as well as large-scale public art installations at the Phoenix Convention Center and the Maricopa County Superior Court Tower.
His most recent series, "Home," is the product of traditional glass techniques including blown glass, kiln casting, and glass painting/staining paired with various found objects. The exhibition will show at Practical Art from December 1 through the 31. There will be a reception for the exhibit on the 14. Practical Art is located at 5070 N. Central Ave.
"Home" is a celebration of the diverse characteristics of glass coupled with the found object, according to Moody. He says he hopes to "explore our relationships with the material world and the by-products of our cultural narratives."
"The found objects I incorporate into my work seem imbued with a history, the resonance of life and a memory of function," he says. "The chipping layers of paint, rusted hardware and aged wood grains evoke nostalgia while the glow and sparkle of the manipulated glass becomes anachronistic and contemplative."
moody.jpg
www.troymoody.com
Flag by Troy Moody
Moody also currently has an exhibit at Mesa Contemporary Arts where he teaches part-time, and a temporary installation located at the Scottsdale Civic Plaza, commissioned through Scottsdale Public Art.
You can find out more information at both Practical Art and Moody's personal website.
Follow Jackalope Ranch on FacebookTwitter andPinterest.

Wednesday, September 26, 2012

EXHIBITION by AGG Member: Larry Zogda


Visit the Facebook Page of the Hesperidian Gallery, Chicago for information about "Light Play": http://www.facebook.com/events/402738106459909/

ABOUT
Since 1974, the Larry Zgoda has produced unique, original compositions in the forms of windows, doors, screens, clerestories, skylights and walls of glass used in architectural environments. He has also assembled a repertoire of autonomous art objects using stained glass.

Refined workmanship, a focused use of color and a pioneering exploration of the refractive qualities of the materials coalesce with studied, sublime designs to distinguish Larry Zgoda’s original compositions.

“I’ve always been interested in the essential crystalline qualities of glass. The material itself suggests certain geometries that lean toward the straight line. But sometimes I lean the other way, toward the curve.”

Zgoda’s work is known for its geometric elegance, but he does not limit himself to a single design strategy or style. “I tend to explore an idea for a while and move on to another, always evolving a collection of design possibilities.”

Although Zgoda describes stained glass as an essentially simple craft, “the endless combinations of light and refraction, translucency and transparency and texture and color present a wealth of design possibilities. The exploration of these various qualities and one’s fluency with a design vocabulary determines the quality of the art”.

“One of the things that makes stained glass interesting is its long historical tradition and the fact that I have been a part of a renaissance in the craft for the last thirty years plus. There is tremendous opportunity to take what we know from the past and move it into the future, inventing new ways of using glass and light to create beautiful architecture and beautiful environments. The continuum of past to present to future is especially fascinating.”

Sunday, September 16, 2012

Glass Painter Margie Cohen


Just a brief note to let everyone know ...

First:
My website has been recently updated...
take a look at the new work in the Painted Glass Gallery

Next:
There are two wonderful shows this fall you may want to come see.

I will be exhibiting at:

Peter's Valley Fine Craft Show
Saturday and Sunday, September 29th and 30th
For more info and a discount coupon visit:

AND
The Morristown Craft Market
Friday - Sunday, October 19, 20, and 21, 2012
at the Morristown National Guard Armory

Please mark your calendar, stop by and say hello.

Margie Cohen
Designs in Glass
445 Pensyl Creek Road
Stroudsburg, PA 18360
home: 570-992-6393

Exhibit: Ellen Mandelbaum

ELLEN MANDELBAUM

New Stained Glass Art by Ellen Mandelbaum
is being featured in
'The Cauldron' Exhibit
New Century Artists Gallery
530 W. 25th Street- Suite 406
New York, NY 10001
212-367-7072
Tuesday, Sept. 11 - Saturday, Sept. 29, 2012
3:00-6:00pm

Please join us at the Opening Reception
Saturday, Sept. 15, 3:00-6:00pm
------------------------------------------------------------------
Ellen Mandelbaum Glass Art emga@earthlink.net
www.ellenmandelbaum.com
718/361-8154

Clara Driscoll & the Tiffany Girls


Tiffany Studios Designers
Under Louis Comfort Tiffany’s patriarchal leadership, teams of skilled designers and craftspeople helped transform his broad vision into beautiful objects that captivated an era. This fact of art production at Tiffany Studios has recently attracted enormous public interest thanks to one Tiffany manager and designer—a talented woman by the name of Clara Driscoll (1861–1944).
Read more here:http://www.morsemuseum.org/louis-comfort-tiffany/tiffany-studios-designers

Members attending the AGG Conference in St. Augustine, May 2013 can join a bus excursion to the Morse Museum.

Friday, September 14, 2012

TATE Britian: Pre-Raphaelites opens to the public


Combining rebellion, beauty, scientific precision and imaginative grandeur, thePre-Raphaelites constitute Britain’s first modern art movement. This exhibition brings together over 150 works in different media, including painting, sculpture, photography and the applied arts, revealing the Pre-Raphaelites to be advanced in their approach to every genre. Led by Dante Gabriel RossettiWilliam Holman Hunt and John Everett Millais, the Pre-Raphaelite Brotherhood (PRB) rebelled against the art establishment of the mid-nineteenth century, taking inspiration from early Renaissance painting.
The exhibition establishes the PRB as an early example of the avant-garde: painters who self-consciously overturned orthodoxy and established a new benchmark for modern painting and design. It will include many famous Pre-Raphaelite works, and will also re-introduce some rarely seen masterpieces including Ford Madox Brown’s polemical Work 1852–65 and the 1858 wardrobe designed by Philip Webb and painted by Edward Burne-Jones on the theme of The Prioress’s Tale.
You’ll also see John Everett Millais’s first painting ‘en plein air’ entitled: Ferdinand Lured by Ariel 1849-50 and the politically charged: A Huguenot, on St Bartholomew’s Day, refusing to shield himself from danger by wearing the Roman Catholic Badge 1851-2.
The exhibition shows that the Pre-Raphaelite environment was widely encompassing in its reach across the fine and decorative arts, in response to a fast-changing religious and political backdrop, and in its relationship to women practitioners
You can find many more images from the show on Tate’s Pre-Raphaelite Pinterest board. If you do visit the show, please leave us a comment below or join the discussion on Tate’s Facebook page or@Tate on Twitter - using the tag #PreRaph.

Wednesday, August 29, 2012

"Sacred Visions" Opening reception

Visit the International Museum of Art & Science's Facebook page to view their album from the "Sacred Visions" opening reception, which includes installation shots of the windows:
1900 Nolana Avenue
McAllen, TX 78504
p. (956) 682-0123





Monday, August 27, 2012

AGG Member Larry Zgoda @ Vale Craft Gallery

For forty years Larry Zgoda has worked in the boundary lands between art and craft. It’s hard to call him a contemporary artist because his work does not seem to address the puzzlement and alienation of postmodern art, but it’s hard to call him a crafter because his combinations of glass, wood and metal seem to offer something deeper than comfort, surprise or entertainment. Following the lead of earlier Chicago designers like Louis Sullivan or his mentor, Edgar Miller, Zgoda’s work is quietly but insistently dynamic, aggressive and bold, with that inner seed-growth energy of which Sullivan wrote. Like the geo-form painters, Zgoda builds up a tension among colored circles, triangles and parabolic lines. But there’s also the translucent/transcendent qualities of the glass that manipulate light in a variety of traditional as well as innovative ways, invoking a sense of mystery and magic. Zgoda creates places of wonder, either site-specific or, as in this group exhibition, as something like portable shrines. These miniature tabernacles are what he calls “architonomous” sculpture, i.e., the space around them feels architectural even if they are autonomous. It’s the same way a medieval head or torso feels when it’s been cut from the wall of a monastery and relocated in an art gallery. As a liturgical artist without a liturgy, there does seem to be some kind of strong, glowing, and benign presence emerging from each piece. But maybe it’s just him. (Chris Miller)
Through September 1 at Vale Craft Gallery, 230 West Superior

Review: Larry Zgoda/Vale Craft Gallery

Sunday, August 26, 2012

Call for Entries


A Call for Entries for ECVA's exhibition: Mary, Mother Of Our Tribe has just been published. You can see it here: http://ecva.org/calls.html

DEADLINE: NOV 1, 2012


Exhibition by AGG Member: Betti Pettinati-Longinotti


Betti Pettinati-Longinotti, SFO, of Winston Salem, NC, has been designing and producing glass art since an apprenticeship in 1977-78.  She received a BFA from the Maryland Institute, College of Art and her MA from the University of the Arts/ Philadelphia, 1987, in Art Education with a studio major in Glass; MFA in the Visual Arts from the Art Institute of Boston at Lesley University, June 2012. 


Link to Artworks Gallery: http://artworks-gallery.org/index.htm
Link to Betti's website: http://plstudioartglass.com/

Tuesday, August 7, 2012

Exhibition Announced


TIFFANY LAMPS: ARTICLES OF UTILITY, OBJECTS OF ART

June 12th, 2012 through September 9th, 2012
Second Floor

Michele & Donald D'Amour Museum of Fine Arts

Tiffany Lamps: Articles of Utility, Objects of Art
This exhibition celebrates Louis Comfort Tiffany’s (1848-1933) revolutionary contributions to modern decorative lighting. More than 40 lamps in an array of colors, sizes and decorative styles are featured in sections exploring the themes of fabrication, design, lighting technologies, and affordability. The show also includes tools, materials and period photographs to demonstrate how the lamps were made.

The exhibition is the first in-depth look at the Tiffany Studios’ deliberate efforts to produce lamps that balance artistry with utility and profitability. As articles of utility, reading lamps, floor lamps, and hanging shades came in a wide variety of sizes and shapes to regulate and direct light. As objects of art, the lamps, with their interplay of colored glass and richly sculpted bronze, brought beauty into the home.

The exhibit is organized by The Neustadt Collection of Tiffany Glass in New York City.

Premier summer sponsor: MassMutual Financial Group.

More Tiffany and Art Glass Exhibitions

In Company with Angels: Seven Rediscovered Tiffany Windows
Contemporary Sparkle: Art Glass from the Permanent Collection
50th Anniversary Celebration of Studio Glass: Pioneers of Studio Glass
Tiffany-Engraved Firearms
Tiffany Stained Glass Windows

Monday, July 16, 2012

Medieval glass of St. Michael’s, Coventry




Public viewing of the conservation of the medieval stained glass of St. Michael’s, Coventry


Hidden from public view for 70 years, the salvaged medieval glass of St. Michael’s, Coventry is being bought back to life via an innovative joint project between World Monuments Fund Britain and Coventry Cathedral. 

Visitors will be able to see first-hand the delicate conservation of this stunning glass, meet conservators and understand the history, and future, of this glass. 

Both children and adults alike will be encouraged to observe to understand the part this glass plays in the wider project to rejuvenate Coventry’s Cathedral Quarter and the part they can play.
30 minute conservator talk every Thursday at 3pm (Learning Space 3)