Showing posts with label Designers. Show all posts
Showing posts with label Designers. Show all posts

Tuesday, March 26, 2013

Nominations for Glass Magazine Awards


Glass Magazine is now accepting nominations for the 2013 Glass Magazine Awards: The People, Products and Projects. The prestigious glass and metal industry awards program recognizes the most innovative products and services the industry has to offer, in addition to the most innovative projects completed within the past year. It also names winners for Best Project Manager, Best Production Supervisor, Best Sales Rep and Best Installer. Submit your nominations at www.glassmagazine.com/2013awards.
The deadline for nominations in all categories is April 16, 2013.
If you have questions or require additional information, please contact Jenni Chase at jchase@glass.org.

Tuesday, January 29, 2013

Exquisite Corpse: Stu Schechter

2004
Stu Schechter collaboration with Ralph Helmick
dimenensions: 8' h 5.5' w 26' d
materials: steel, aluminum, stained glass 
site: Minnesota Bureau of Criminal Apprehension
commissioned by: Minnesota Percent for Art Program

Issues of analysis, synthesis and mortality are central to this artwork created for the new state forensics laboratory of Minnesota. Exquisite Corpse is comprised of nineteen giant aluminum “magnifying glasses”, each housing two distinct layers of imagery.

The first are colorful stained-glass panels depicting twice-life-size cross-sections of human anatomy. Collectively, they indicate the form of a dissected, recumbent, elongated male figure. (Helmick and Schechter excerpted these interior bodily views from the National Library of Medicine’s Visible Human Project, an exceptionally detailed medical database.)

The mechanisms that suspend the stained-glass sections also function as a second layer of imagery. Welded metal filigrees hold the glass panels in place, each steel “drawing” referring to a different analytical technique employed at the lab. Allusions to specific disciplines include molecular diagrams of heroin and ethanol, representations of bullet holes and blunt objects, and raw data from dental records and gas chromatography. 

The familiar DNA double helix appears twice, at the head and foot of the figure, framing the entire artwork as an acknowledgment of the centrality of genetics to contemporary forensic investigation.

Seen as a whole, the scientific specialties embedded in Exquisite Corpse merge into a dense web of interconnected information, creating a metaphor for how various departments at the BCA often unite to forge a nuanced understanding of complex crimes.

Stained glass is an art form historically associated with spiritual settings and concerns. Exquisite Corpse employs the power of the medium in a setting where reverence for the human body coexists with analysis of our most basic corporeality.


Wednesday, January 9, 2013

Matisse & Chagall Windows

For many years I have had on my "to see" list a visit to the Union Church of Pocantico Hills in the Hudson Valley near Sleepy Hollow, NY. This unassuming little chapel has Matisse's last window, a rose window in his signature "cut paper" style. The remainder of the windows in the church were designed and painted by Marc Chagall. Over the recent Christmas break my family and I had the opportunity to visit the chapel to see the windows. As the docent explained - "You've come at perhaps the best time of the year". At 3 PM on a Sunday afternoon the low winter sun shining through leafless trees flooded the chapel with light. The windows are beautiful. What I really appreciated as a painter was that they are right at eye level. You can see all of Chagall's brushwork and the meticulous details he "picked out" of the matt with needles & scrubs.
Since I hadn't written in advance the docents wouldn't allow photography but I later discovered that the Chapel has a Smart phone app with great images & videos about the windows. Here is the online version which you can also download to your Apple device through  Itunes: http://unionchurch.toursphere.com/pages/

Thursday, December 27, 2012

Bryan W. Lewis

Today while doing a Google image search for "the glass painter" I found the work of Bryan W. Lewis. Here's a description from his Bio:

My art career began at age six when, inspired by a colorful Bible story book, I began creating my own Biblical illustrations. At age ten, my father introduced me to stained glass as a hobby. Throughout high school I was a member of The National Art Honor Society and it was then I began my own small stained glass business.

While in college I excelled in figure drawing and, during my third year, I began to explore stained glass painting. I have been painting stained glass professionally ever since.

My work has been featured in Stained Glass Quarterly, Guitar Magazine, The Kansas City Star, television news coverage and other media.


You can visit his website here: http://www.theglasspainter.com/



Monday, December 17, 2012

Playing Cards

Today I'm researching about playing cards and I came across these:
Playing cards inspired by stained glass, designed by Gertrude Kümpel, Zurich, 1989 on the website,World of Playing Cards: http://www.wopc.co.uk/


Wednesday, December 12, 2012

Gotta love that Jungendstil

As you may have guessed from today's posts I'm Google searching "Stained Glass Saints". Here's an image that caught my eye from a photosharing site: 500px
Kirche am Steinhof (also called the Church of St. Leopold) in Vienna - Art Nouveau (Jugendstil) http://en.wikipedia.org/wiki/Kirche_am_Steinhof
Photo by Mario Traar
It was designed by Koloman Moser
Here are some other windows in the church:
ceiling
Opalescent never looked so good!




Thursday, December 6, 2012

Nick Sayers

20120330-163316
After falling down the rabbit hole doing a web search on sacred geometry and the platonic solids I stumbled upon the Flickr stream of the artist Nick Sayers. Enjoy this!
Read his story about:

Polyhedral Patcham Pupils

On 30 March 2012, I ran a maths-art workshop at Patcham House School, as part of their Maths Day.

In a one-hour workshop, children pinned 12 pre-made, machine-cut plastic silhouettes of themselves together with plastic cocktail sticks, to form polyhedral shapes with tetrahedral symmetry.

The pieces were created in advance. The children lay on a green screen and were photographed from the stairs above. I then took these images, processed them in Photoshop and turned them into cutting files.

They were cut by the very capable Mark at Brighton & Hove Plastics in Portslade.

More images: http://www.flickr.com/photos/nicksayers/sets/72157629540305162/with/6969613482/

Tuesday, December 4, 2012

Sinister Saints

From the blog of illustrator Dave Lowe: http://www.paraabnormalthecomic.com/search/label/Sinister%20Saints

Monday, December 3, 2012

Tuesday, November 27, 2012

Korean Pavilion for Shanghai Expo

From the Blog - Design Envy:
The overall volume, lifted 24 feet above ground level, is created by converging 20 basic letters of the Korean alphabet, Hangul, allowing signs to create the exhibition space, and so that the visitors can experience their geometry through horizontal, vertical and diagonal movements. The primary geometries that compose the Hangul letters are universal to other cultures, thus acting as a sort of open set of signs that is engaging to everyone.
http://designenvy.aiga.org/korean-pavilion-for-shanghai-expo-mass-studies/

Wednesday, October 31, 2012

Wednesday, September 26, 2012

ARTICLE: Innovation through Art

If Design’s No Longer the Killer Differentiator, What Is?

  • By John Maeda President of Rhode Island School of Design

"What people are looking for now is a way to reconnect with their values: to ground how they can, will, and should live in the world.
The innovation now needs to occur elsewhere. Outside the design. Into, quite frankly, the world of art."

Sunday, September 16, 2012

Glass Painter Margie Cohen


Just a brief note to let everyone know ...

First:
My website has been recently updated...
take a look at the new work in the Painted Glass Gallery

Next:
There are two wonderful shows this fall you may want to come see.

I will be exhibiting at:

Peter's Valley Fine Craft Show
Saturday and Sunday, September 29th and 30th
For more info and a discount coupon visit:

AND
The Morristown Craft Market
Friday - Sunday, October 19, 20, and 21, 2012
at the Morristown National Guard Armory

Please mark your calendar, stop by and say hello.

Margie Cohen
Designs in Glass
445 Pensyl Creek Road
Stroudsburg, PA 18360
home: 570-992-6393

Clara Driscoll & the Tiffany Girls


Tiffany Studios Designers
Under Louis Comfort Tiffany’s patriarchal leadership, teams of skilled designers and craftspeople helped transform his broad vision into beautiful objects that captivated an era. This fact of art production at Tiffany Studios has recently attracted enormous public interest thanks to one Tiffany manager and designer—a talented woman by the name of Clara Driscoll (1861–1944).
Read more here:http://www.morsemuseum.org/louis-comfort-tiffany/tiffany-studios-designers

Members attending the AGG Conference in St. Augustine, May 2013 can join a bus excursion to the Morse Museum.

Sunday, August 5, 2012

TED TALK: Paula Scher on Serious Design

You can never learn enough about good design - in fact sometimes it's hard to know where to go learn anything about design. Here is an inspiring TED TALK by the designer Paula Scher:
http://www.ted.com/talks/paula_scher_gets_serious.html

Friday, May 25, 2012

Illustrator Andy Gilmore

Fields of Force

A master of color and geometric composition, Andy Gilmore's work is often characterized as kaleidoscopic and hypnotic, though it could just as well be described as visually acoustic, his often complex arrangements referencing the scales and melodies in music.

Gilmore’s journey toward this masterful style followed a long and winding road. He characterizes his pursuit of education as a tangled web, noting the bookstores, bakeries, and theaters where he worked were of more importance than the schools he attended in pursuit of his BFA, which he received from SUNY Empire State College.

After finishing school, Gilmore relocated to San Clemente, California, where he took up work for FourStar Distribution, resizing print ads for C1RCA Footwear and Forum Snowboards. It would serve as his introduction to the computer and lay the foundation for a career in digital art and design.

Andy Gilmore’s extensive list of clients includes Wired Magazine, The New York Times, Fast Company, Wallpaper*, Warp Records, and yes, Ghostly International. He currently lives and works in Rochester, New York.

More: http://crowquills.com

Italian design from Luminaire

Fiction 
Escape reality and enter the fantasy world of Fiction. With a silver finish which fades to transparent, the rectangular wall-mounted mirror seems to disappear. Available in two sizes and finished in extralight glass, Fiction hangs by means of a chromium-plated metal cylinder.

Dark Side of the Moon
Thanks to a sophisticated and innovative technical process, the top is realized by overlapping and assembling glass strips of various qualities and different widths. The result is a table with a syncopated dynamism, the glass top assuming an infinite range of tonalities. The feet of the high table are cylinders in transparent borosilicate glass, fixed to the top by means of steel rings. The low table, instead, has two glued sides, with the same features as the top.

More at  http://luminaire.com/ 



Tuesday, May 1, 2012

Glass at MIT: Beauty and Utility


February 10 – July 2012
This exhibition explores glass making as revealed in glassware from MIT laboratories, blown glass from the MIT Glass Lab, and stunning stained glass windows from the Libraries’ Charles J. Connick Stained Glass Foundation Collection. Tools, early photographs, and selections from rare books demonstrate the combination of artistry and engineering that goes into the creation of glass.
MIT Tech TV